![]() ![]() #Dominik eulberg bionik rar download download#Stick to his 12-inches, or his never-dull live sets. Download Dominik Eulberg songs, singles and albums on MP3. /rebates/&252fdominik-eulberg-bionik-rar-extractor. The tracks on Bionik meanwhile seem awkward and overworked, a haphazardly assembled collection of the more 'finished' moments from Eulberg's harddrive. Nothing on Bionik equals what Eulberg can do with a 12" 'NGC 101' for example, off his latest workout with regular collaborator Gabriel Ananda, is absurdly simple and hugely rewarding. Individually there's little here to criticise, but en masse it seems somewhat superfluous. These gushing moments recur throughout, but never make a grand entrance they're usually subsumed by the processed organic samples, crushed and maimed into incoherent, yet pretty, aural funk. ![]() 'Haifischflugel' lazily scatters pebbles across marimbas while a floor-tom violently bangs, 'Autopfoten' weaves garbled stutter around woodblocks, rock drums and the crunching of leaves underfoot, and 'Libellenwellen' gathers all these elements in micro-doses, building them into a form of Traum pseudo-trance, minus crescendo. 'Freche Fruchte' lets anxious steam jets and metallic screeches offset equally precious tone arrangements. 'Der Traum Vom Fliegen' opens to billowing clouds of Pop Ambient seductiveness before the percussion modestly takes hold. A lot of it sounds like microhouse circa 2001-Auch, Farben, Sutekh, or indeed early Eulberg-with less skitter and heavier drums. It is too restrained to truly excite yet too noisy to calmly enjoy. ![]() With Bionik he's evidently keen on expressing his digital side, possibly a pre-requisite on Sven Vath's Cocoon, but that's as coherent as this collection gets.ĭespite winning moments Bionik suffers, like so many albums, from context confusion, with mood, tempo and aggression pitched midway between dancefloor and bedroom. Dominik Eulberg is a highly prolific, accomplished experimental techno producer and DJ from Germany. Flora and Fauna, his debut for Traum, nailed that label’s dreamy aesthetic with its title and cover art alone, and his follow-up Hemische Gefilde went further by inserting short passages of birdsong between the familiar synthetic chugs. He's a bird watcher and park ranger when not making techno, and these well-documented details lend themselves easily to conceptual flourish. It’s difficult to determine Dominik Eulberg’s stance on this. Something of a consensus has formed coherence, home-suited listening, and thematic concepts are the true virtues of good dance albums, although when applied to other genres these values are seen as pretentious and indulgent. Meanwhile the fuss over what makes a good dance album continues. With the entire industry in its death throes, apparently, this growing phenomenon is truly baffling.
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